1/57 Versuch mit synthetischem Ton (A Test with Synthetic Sound)
The word test stands at the beginning of Kren's Versuch mit synthetischem Ton (A Test with Synthetic Sound), which is really a kind of endurance test which Kren poses to the film material and to the eye. The film makes do with a minimum content in its images (a wall, a pan of a cactus) and models chronologically by using a strict, stanzaic montage arrangement, which is supposed, not to push the primary extension of these motivs into the imaginary realm of images, but just to leave them in their own "superficiality." The sound, which is directly engraved onto the material, corresponds to this principle, in that it allows only crackling and scratching noises to be audible, exposes itself in unmodeled raw sound and noise spaces. (Michael Palm: "Which Way? Drei Pfade durchs Bild-Gebüsch von Kurt Kren," in: (ed.) H. Scheugl, Ex Underground Kurt Kren. Seine Filme, Vienna 1996)
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