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BYE BYE ONE
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You just see them when you close your eyes. Although closing your eyes isnt the same as watching BYE BYE ONE, it indicates the general direction:
I have always been fascinated by figures and structures that are printed on the back of your eyes by light, said artist Billy Roisz, and these images can be seen only when the eyes are shut. Their arrangement doesnt follow a given logic, and they have no narrative dramatic structure. They come into being as if on their own. The same could be said about Billy Roiszs work, and the latter description in particular takes us even closer to its aesthetic core. Her collaboration with Dieb13 obtains its impact out of its complexity to the point that machines made to constantly create feedback and other physical interactions between optic and acoustic impulses and signals go from complexity into their own mode, that sounds and images are created as if on their own, that the machines characteristics, corporality and defects turn into content: Both the grids and the cellular structures are inherent patterns of my working instruments. The grids come from a transition effect of my old Panasonic mixing desk. The work performed by the equipment is whats being said, rather than serving as the means to say something else. The old expressive subjectivity unfolds in the circuits and corporalities. The subject doesnt disappear, but its role changes. The authors collective doesnt provide answers, it asks the machine the right questions. The machines answer makes a difference visible and audible. I'm rapidly moving away from putting pictures to music, and instead explore the spaces separating sound and image from the recipients. (Christian Scheib)
watch the video online!
Printgrafik: byebyeone1.jpg
english print version
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